Coleston Hair Painting

scenes ... I Nu mach'doch times n'schöneret Jesicht! ... in: The Wall.

Part 2 Portrait of Hans Kuhlke - Heino Ferch. 2005-06

by: Ignaz Wrobel

"... Nu mach'doch times n'schöneret Jesicht !...." in: The Wall Berlin '61. Part 2 Portrait of Hans Kuhlke - Heino Ferch. 2005-06

<-<- zurück zu Teil 1

source image and all image rights teamWorx film production company and WDR (West German Broadcasting)

Hans and Erwin in the car. Erwin at the wheel.

Close Up on Kuhlkes face. It seems as it the situation would be uncomfortable, why, we do not know yet.

Erwin Nu mach'doch times n'schöneret Jesicht!

Kuhlke actually tried it.

Erwin Bite it 's lucky. Ha? Come over, hate the same job ...

Erwin forced artificial happiness.

durchstart'n equal, huh?

Laughs corporate. As you can see that he looks over again to Kuhlke. What he seems to see there is obviously a zero response.

section.

An open door.

Kuhlke is at the door opening.

About the only Shirt, which he has now, the "West shirt," he wears a much too large suit jacket, apparently of rental equipment Erwin, who is quite stocky. Under his arm a tattered briefcase. He looks pitiful "false" from.

He feels uncomfortable. He stammers

I ... a. ... I'm from furniture Sawatzke. They are three ...

cut to the person addressed. An elderly stout man with glasses and clothing house, Grandpa cardigan, plaid shirt.

The man listens though, but obviously understands stammering Kuhlkes not quite.

.... three payments in arrears and we have to he already four times ..

Kuhlkes text sound learned by heart and he does not even understand.

re-section Kuhlke:

seems he also feels that something is wrong. He shakes his head like a student who has missed the audition of a poem and looks in a note he has in his hand. He leafs.

you are ... ..

He does not find the right place.

We can see, he always feels bad.

He hesitates for a moment. We feel that in this hesitation, a single feeling strong and present:

The desire to be far away from this situation. The slip of paper in his hand seems to be a senseless and meaningless piece of paper.

He looks up.

... They are four rates in. ...

Again he sees the note. Now, perhaps to no longer see the man's face to have. Even more, we do not need mitzubekommen. The situation is lost.

section

Back in the car . Erwin is acidic, is silent on Kuhlke angry.

Kuhlke squints at him, losing face, guiltily.

second attempt.

Kuhlke We stand behind and look to the payment arrears of customers in the face. A butcher type Cholerikerphysiognomie.

growls The butcher:

wasss because ...?

Kuhlkes failed tortured fearful appeasement loser smile awakens in us a desire to look away now to add this prostitution of the self-esteem a man not by our eyes an even greater shame.

Now Kuhlke dares to say two words, so here,:

... Sawatzke furniture. ..

bang. The door slams shut.

Kuhlke lays his head a little wrong, there is an even Words, although the door is now slammed:

... I ....

Oh Jesus Christ, is the terrible. How can a man only to drive without any inner mental stability on an ice floe being lost ... ( guys where are you because all ? Marc Bittner, give him what lurking by your sadism, Hanno give him something from your future faith, Georg Meier, give him something of your obstinacy, Barbie, give him your anger, Weber, give him your ego, Mulhouse, give him a grain of your mental agility!
No answer.
I also do not know where they are. Apparently lost somewhere in the past. )

The torture was a quick end. Kuhlke has not even made an opening set.

car.

Kuhlke contrite:

I can do at the moment does not operate ...

Erwin. Oh, hoe 'but uff wat isdenndadabei ? Always start the foot in the door ....

Kuhlkes view? We resists the spring. (Have you ever yelled at a not very large animal, its Maybe dog, her cat? Do you remember?)

Erwin. Det janz but is klaar.

section.

third apartment.

A young couple. The woman in apron, the man in the checkered shirt. poor people. We are back diagonally behind Kuhlke.

The woman is crying. Kuhlke argued Sawatzkes demand already evident.

cut on Kuhlke.

He is back in the door frame. Behind him, a wallpaper pattern, as if someone had sauerkraut thrown against the wall. In addition to his head, we see a wall decoration picture in white bar woodcut Setting: Little Red Riding Hood and the Wolf.

Kuhlke is not a wolf. He has compassion. He says nothing. He sees the desperation of the woman herself to despair.

section.

In Erwin's furniture store.

Erwin depends on lamps and tells Catherine Kuhlke what he has experienced with her husband,

.... well, and then - just losjerannt isser ........ los.

abjehaun Is ...

..... na one can also irjendwie vaschtehn ...

.... is yes allet also terrible ....

<-<- zurück zu Teil 1

2005-2006 Heino Ferch - Hans Kuhlke, Inka Friedrich - Catherine Kuhlke, Axel Prahl - Erwin Sawatzke.

Uc Berkeley Freshman Questionnaire Supplement

scenes I "... that this is allowed ..." in: The Wall. Part 1

Heino Ferch - Hans Kuhlke. 2005-2006

by: Ignaz Wrobel

image source and all image rights teamWorx film production company and WDR (West German Broadcasting)

<-<-zurück zu Fernsehtipp "Die Mauer-Berlin´61"

"... that this is allowed ... .! " in: The Wall - Berlin '61. Portrait of Hans Kuhlke - Heino Ferch. Director: Hartmut Schoen, book: Hartmut Schoen, 2005-2006

Listening instead of reading - Cinema for the Ears: Audio.mp3

for audio-streaming version-> ->

Before Scene:

August 1961.

Hans Kuhlke , a construction worker, his wife Catherine and his son Paul , about fourteen, live in the eastern part of Berlin.

After a visit to the birthday celebration of the furniture store owner Sawatzke Erwin and his wife Renate in West Berlin, Hans and Katharina blocked the way back home.

When they want to end up driving home the station to leave home in the east of the city, is the starting barred.

soldiers everywhere. The borders were sealed during the night made after months of thousands and thousands of people from the East had migrated to the West.

The wall is built.

Hans and Catherine initially remain at Sawatzkes. Paul, the son was in that night at home in the family home east. Now the family is torn apart.

Hans and Catherine are scheduled and a loss, what they can do. You have nothing. No money, no work, not even a change of clothes.

Hans is powerless over the situation, the actions of state authorities, he can not quite believe what a nightmare he dips into. He misses his son, to whom he has a particularly close and deep paternal bond.

time goes by.

Paul not allowed into the West. The state takes care of his education in the socialist spirit.

Hans and Catherine always go back to the fence that separated East and West. You get into a street battle. Hans is beaten and bleeding from the nose.

go back to Sawatzkes with which they had previously actually fallen because of Renate's unfriendliness.

the scene.

Erwin Sawatzke on the phone:

Renate .. I ... yes .. yes ....

long shot. Night. Artificial light.

We see that the three are large showroom of the furniture store Sawatzke . Hans is sitting on a couch exhibition, his head on the neck. He tried to stop the bleeding.

Catherine is restless to and fro. She sees in the newspaper a photo of himself and Hans. Both had tried to reach the east bank were floating, but had been ordered back.
A sensational photo of them, only in underwear, alarmed and frightened, on the front page the newspaper.

Katharina: That this is allowed ....

Erwin comes back from the telephone:

Well, I'm sorry, unfortunately, works non-det ... ... The craftsmen were there already and ham det Janze room cluttered, so in my own home, unfortunately, could not 'übernacht'n ..

But - as jesacht - Det is ja allet brand here, some have winter fashion - for you only the finest Feinst'n det ...

Catherine has also set the clueless head supported in his hands.

Erwin smiles pseudo authentic.

Erwin, seriously: Well, try erstma jez 'n' to sleep little ..

He looks around for John. Hans is still holding up the head to stop the bleeding. Again and again he has to press a handkerchief against his face, blood flows ...

Erwin turns to Hans at:

you still need watt ...?

Hans, softly shakes his head:

Nee.

Erwin

Oman Omand man! .. Which could 'not possibly be so' ne city like Berlin-wat ah sachich zerteil'n that wolln'ja janz Germany.

Well yes - but wait's from times: you will soon see ', next week is dat allet over again because wern' we laugh about it just yet, hmm?

section on Hans.

He does not hear the encouraging tone. He will not hear him.

We feel that with Hans takes a change. He seems reluctant, reserved, leaden. His eyes, his eyes show something that worries us. There is no will, no more gaze that saw a future.

blows us of something that feels like the resigned sadness of a forgotten animal in the kennel.

Erwin Or?

When Hans lifts his head, pressed his lips together, we know that his answer would he say something that would be negative.

It seems as if something in him slip, slip, fall into the depths, like a piece of earth, a stone that falls over an edge into the abyss.

We feel clearly that we see a man whose sense of to be left alone, almost drags him down presses, such as a high water wave.

Erwin withdraws, so here is a little ahead of Hans' silent refusal.

Jez schlaftma erstma. Good night!

Erwin out the light.

The room is dark, light comes only from outside, from the street lighting that seems to come through the large shop window. We understand
that the couple like two decorative exhibits would be visible from the outside, light was turned on in the room.

section on Hans.

He is slumped. breathing hard, as if every breath an effort. He seems totally lethargic, internally rigid, dull, exhausted. It is based on the arm is, with leaden movements, walks a few steps.

cut on Katharina.

We see them from behind. She stands and looks out the window.
She seems to freeze.

Hans goes to a tanning over.

his handkerchief he holds in both hands. There is no particular movement or somehow abnormal Attitude. But the way these two hands to hold onto the piece of cloth shaken. The gesture will be swept by a resigned, unprotected solitude, where we do not know if we look away, run away or cry.

Hans settled on the bed, every movement is trying hard. Again he pressed the cloth against the bleeding.

breathed.

He turns his head.

We follow his gaze and see his wife at the big glass front of the shop windows. Outside, passers-by walk past.

Hans looks for a while her, then he lets his head drop to the chest. In the dim light his face looks desperate, haggard.
Each stands on its own.

No words.

No bridges.

end of the scene.

- - -

2005-2006 Heino Ferch - Hans Kuhlke, Inka Friedrich - Catherine Kuhlke, Axel Prahl ("The Miracle of Lengede", "Summer in Berlin" "They were not all murderers" ) - Erwin Sawatzke, Frederick Lau - Paul Kuhlke.

Watery Stool Gas One Month Old

scenes I Film Scenes Preview March 2007

by: Ignaz Wrobel

Preview scenes in March 2007

The Wall - Berlin '61.

We follow John and Catherine Kuhlke.

Hans to make money. As a debt collector for Erwin Sawatzkes furniture store. The completely overworked man can not, not now. He runs away.

The couple enters the reception camp Marie Felde.

The atmosphere there, bunk beds close together, not a spot of private space, aggravated the psychological situation of the two.

After some time they witness an attempted escape from the window of a border house. Hans believe his eyes when he recognizes the voluntary escape: it is his son Paul.

- - -

The SWR actually redeemed his promise: Today we found in our mailbox a VHS copy of

Police 110 - Saturdays, when war is (directed Roland Suso Richter )

after an outstanding novel by Klaus- Peter Wolf.

Then let's get started so, the cut and thrust.

preface of the novel:

The more a conflict is worsening, the more the disputed issues simplified. In the end it's all nor good or evil. Who kills whom? The war begins when we cease to see in each the individual and consider him only as part of a mass. Novels shape individual destinies.

film criticism Manfred Loimeier:

"It is a small masterpiece to praise one that was already invited to the Munich Film Festival [1993-94] Klaus-Peter Wolf has written vividly, Roland Suso Richter with better actors. set in exciting scene, Hans Grimmelmann astonishing pictures taken in "on Saturdays, when war is" the first contribution of the South German Radio Stuttgart (SDR) to the former East German Crime Series "Police 110"; "

imdb film criticism->

Story Line: ( Source: www.daserste.de)

Weekdays works Siggi Schmidt Mueller in a pastry shop in town view home and the nice boy next door.

Saturday, he travels to his combat boots and goes with a gang of skinheads and the hard-nosed leader Wolf on drinking and Randaliertour.

Siggi has a mentally handicapped brother, Yogi, although he has to, but by whom he feels the same but also set limits. He must watch more of him and his Skinfreunde draw anyway about the "loonies" that, at the Adolf ...

Siggis Mrs Renate is friends with Wolf. But Renate turned recently to the pizzeria owner Gino .

When she told Wolf it and wants to break up with him, this brings to them in anger. He will be watched by Yogi, which is due However, his disability can not be understood.

The suspicion falls first on Gino , soon begins Commissioner Vera Bilewski determine but in the context of the skins.

Siggi is now more and more convinced that his brother Yogi Renate killed. He added he discovered, in the night in question near the crime scene and Yogi acts since then even more striking than usual as his brother Siggi understand correctly, it is for him and Yogi almost too late.

Cast:

Vera Bilewski ............ Angela Domröse

Siggi Schmidt Mueller . Markus Knüfken

Yogi Schmidt Mueller .. Felix Eitner ( The Tunnel "," the matriarch "," Margarethe )

Wolf Klein main ........ Heino Ferch

Heinz ....................... Martin Armknecht

Director: .... Roland Suso Richter

book ..... Klaus-Peter Wolf

Camera: .. Hans Grimmelmann

Music: .... Jens Langbein, Robert Schulte Hemming