Heino Ferch as Volker Bretz 1998-99
".. ... .. We have built all crap "In: Straight shooter. Part 5 Heino Ferch as Volker Bretz, written and directed by Thomas Bohn 1998-99. Production Joseph Vilsmaier, Perathoner.
<-<- zurück zu Teil 4
Listening instead of reading cinema for the ears to the ddl: Audio.mp3
to Audio S treaming- > ->
The scene
We connect with Brett in the living room. Paufler lifts straight at an object from the floor. He sees the intruder and directed on.
reverse shot on Bretz, we are behind Paufler. Thus we can see very clearly the slow deliberate and relentless motion, with the shooter, the Les Baer monoliths from the custody brings in the stop position at the extended arm. Shooter can Paufler directly into the muzzle of the gun look.
We also all the time, the wedding ring and the butterfly followers have to look at Shooters hand, the hand that is now killing the one who has the deaths of two people blame, remember that the two pieces of jewelry.
We can look directly into shooter's face.
The face is motionless, quiet, without distortion by anger, aggression or hate. The view is not even cold, even triumphant. could
He is clamped by a leaden determination that shows no matter how narrow slit of a weakness, an uncertainty in the Paufler the blade of his persuasion and try a pry the psyche of the firm to commit murder.
Paufler, he is just two steps from the shooter, his arms raised high.
He is a politician. Convincing speeches is his job. Talk is now its only last chance.
He says
Listen, I know how you must feel ...
break. Birdsong from outside.
... I can help you ...
break.
He is waiting for a response. Shooter nothing moves, not the weapon, not himself, his face remains completely unchanged.
... we built all the crap ...
insert on the weapon.
Shooters index finger on the trigger bends slowly, we hear a faint Vorclicken ..
.. the Ministry, the economy ..... ....
... I ..
The index finger on the trigger remains in position ..
.. and this too can ...
Now we see in a blink Bretz. We believe Paufler has a few millimeters won.
Paufler waiting with open mouth.
Then:
.... you did it hurt much, Mr. Bretz, but ....
Paufler suggests a shake of the head ...
.. the .... You can not undo it by hurting others as well.
Paufler can linger for the shake of the head, it now looks like a prayer.
.. my God, Mr. Bretz, I can understand that.
insert on the weapon.
shooter lets the tension of his index finger, we hear how the spring is stretched.
.. I understand you very well.
Paufler Now we give a 50% chance.
.. but too many of your victims had ..... children.
A first and only spiritual movement in Shooters Expression.
He pulls up his eyes. Not a good sign.
re-close the gun. The index finger bends fast.
section.
shot by the garage large living room window onto the scene in the room.
We hear the whistling muffled bang, the impression created in the muffler,
see how Paufler is the force of the projectile hurled against the back wall of books and collapses.
While he is pursuing his goal shooter calmly as a sports shooter and are regular targeted persecution of shots at his victim as if he were in a training range.
section. Inside.
We face Bretz. He takes after the last shot still the weapon of the attack down.
medium long shot.
His face now shows a change that we almost overlooked.
But His face is unloaded -
old
empty, erased, lonely.
How ashes.
The soft glow of his hatred is gone.
section.
From outside the room. Shooter turns away and walks slowly. He escapes by bicycle.
end of the scene.
1998-99 Heino Ferch - Volker Bretz, the Straight Shooter; Dennis Hopper - Frank Hector, Shooter's trainers; Ulrich Mühe Secretary of State Mark Paufler.
- - -
Comment 1:
The figure of the Straight Shooter shows a man who exerts ruthless vigilante.
It also shows a man who is psychopathic by the excess of trauma of war and private destiny.
Director Thomas Bohn said in the audio commentary that a financier of the film set the condition that the figure is not the end of the film must be shown to be mentally normal and the film's plot and the neutralization of the pest must face.
So Frank Hector shoots at the end of Straight Shooter.
We see the very last moment before the shot and add that meets Hector shooter.
Dr. Frankenstein (Hector) clears the monster that he created with his own hands (as a trainer of Bretz), with his own hands again.
Comment 2:
Shortly after the murder, we are witnesses, as Volker Bretz exceeds the psychological borderline.
He calls himself to the limit with pull-ups in the abandoned factory where he has pitched his camp. When he let go at the end of his strength must he crashed on a sharp object. The cuts on his upper arm. Bretz is bleeding profusely from a large gash.
The sight of his own blood is the trigger that Bretz on the borderline of mental normality can tip over into madness.
shows Externally this by increasingly obsessive about controlled robot-like movements, coupled with a Austicken, a Tic. The emotional arc is spanned. Bretz, the agent which he uses not classified. The result, he directed a bloodbath among women.
Comment 3:
two characters in two films, Straight Shooter 1998 and Athos in The Three Musketeers "in 2004, are thematically related to each other.
Both men are forcibly taken from her first-born. Both men are guilty, in charge of this loss, and both men react with vigilantism.
shooter dies at the end of his own hands. Violence begets violence.
Athos, a man the ten years more mature as a shooter, looks back on this, his own hands and to make two statements.
first "I was this monster" - Athos rated their behavior at the time, the lynching, as monstrous.
And
second This (responsible person) must be addressed - not murdered.
Athos, the elder refuses to vigilantism from now. Justice by no more revenge, like straight shooter and he himself years ago, but by conviction by a judicial authority.
Putting the two figures in relation, we obtain is that the second figure are the subject of violent child loss and the subsequent reaction is once again in flashback in mind and then imagine a different solution.
A solution that the pendulum of violence and counter violence by judicial sentence, by an objective body, stops.
shooter and the younger Athos went out of vigilantism as losers.
Athos wins the Elder through a just solution to its future.
methods: Audio.mp3 ( Victor March / McGulloch -Pierre Besson - to Catherine of jet mountain - Iris Berben - in " Africa - Mon Amour )
to legal situation of the movie quote : involvement of short film tracks in their own work containing the allowed "Original outshines" to underline its own line of argument.
- - -
0 comments:
Post a Comment