Wednesday, April 11, 2007

Prices On Human Bubbles

scenes I .. There are two that do down. .. Is my child ...

in: The Wall Berlin '61. Part 4 Director: Hartmut Schoen. 2005-2006

Teaser Film Die Mauer - Berlin ´61

<-<- zurück zu Teil 3

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escape.

Before the scene.

Paul, the son of John and Catherine tries his hand to overcome the border in the west to be with his parents.

He flees his pioneering education in a children's home, roams the streets looking for food when his piano teacher Lavinia Kellerman finds him and takes up with them spontaneously.

Lavinia persuades Paul to go with him in one of the houses vacated by tenants border with windows front directly back to the Western Region. Lavinia plays the companion of the pioneer Paul, who is on behalf of the party to thank the border guards for their work.

The two manage to go unnoticed in the upper floors of the house to arrive. On the ground floor and first floor windows have been bricked up. Addition, there is no coming, only the windows on the second floor are still accessible.

Lavinia and Paul wait on the second floor hidden until it is dark.

you will not actually discovered.

John and Catherine had to go see her son in the afternoon to the house and leave the place.
All the time they are just beyond the barbed wire and watch over the house, where they know their
son.


the scene.

evening. It is dark.

Paul goes to the window and sits on the windowsill, his legs dangling down already, as Cathy tries from below to give her son characters. She pulls himself together, reduced their gesture language into unremarkable.

Hans secured with anxious eyes to the border police before he dares to look up to his son. He laughs briefly.

Now that something is moving, hope can be filled, Hans' previously seemingly empty shell again with himself, his will be me. He wins very quickly substance is there, begins to act.

few steps take him to a police officer. He speaks softly.

There are two that do down.

... is my child.

The policeman responded presence of mind. He remains motionless, inconspicuous, but asks awake, alert and quick:

Where?

Hans suppress his excitement, very quietly and gestenarm:

Since behind me, on the second floor.

The policeman takes a discreet view of the place, recognizes the situation and goes for a

... wait ...

away.

A second policeman secures West with an uneasy look the Ostgrenzpolizisten. We also take a look over to see three guards there. You have notice anything.

Close Hans.

We see him from behind. He walks away from us. Even in those few moments, as we only his back see, we notice he looks like a man who just expected any time a blow to the neck.

The policeman agreed on radio phone the fire department.

.. twenty-four to one, twenty-four to one ...(...) ... but very quickly ...

we hear.

Hans to Catherine:

The pick someone. I believe, the fire department.

Paul sits at the top on the window sill of the second floor, approximately. ten meters above the ground, his legs still dangling outside. His Mother means nothing to him

jump ....

Paul waits. wait all the policemen, passers-by, Hans, Katharina. Unfortunately
look more and more highly of people around to Paul. The eyes of the onlookers grab the attention of border guards also on the job.

We are close behind Catherine and Hans. We see them up to the second floor.

not jump ... ...

Catherine repeated softly.

We see Paul as a small silhouette against the lighted room background.

your jump Dared Not him. whispered Catherine.

now stand around, eleven spectators, all look up to Paul.

Paul gives his mother a sign that he understood them.

On the east side at the border guards . You want to smoke. The one on the other hand, Give

me one time.

Na jez catch 's slowly to keep the foot is about time.

We're already seeing a total of seven eastern border policemen and soldiers. They smoke, a look through the barbed wire fence over to the people in the West.

He erlauert that something is wrong. People behave in a conspicuous deviance.

subjective view through the eyes of the border guards. He sees Hans. And even Hans' eyes to his son is the one who draws the attention of the eastern border to the hot spot.

undertone The soldier shit, man

lot Alert! Give alarm man!

already shouting the police commands.

Paul at the top. He looks at Lavinia.

The siren begins to wail repetitive.

The couple further hopes to win the race against time. John is excited, worried, frightened, looks around.

section.

In the room with Paul and Lavinia. try

Lavinia tries to push furniture against the door to save time when entering the border guards.

The chest is too low to block the door handle.

The soldiers have Door reaches . Screams from outside. Paul is still sitting on the windowsill. The fire department comes and does not come.

The men begin to pursue the door, Lavinia has, however, is crying to Paul

Stay at the window, stay at the window!

Paul does not obey, he rises from the window sill, will help Lavinia.

We back down to the parents.

We see what they can see that Paul disappears from the window.

behind John and Catherine are now about twenty, thirty passersby. Hans is afraid, still holds his wife by the shoulder, it holds.

top of the room.

screams. The policemen shouting that they should open the door.

The door bursts under the continuing shock of a fire ax.

insert on hands and feet of the two in the room, we see how their power is not enough that their feet are pressed together with the dresser across the floor backwards.

The two can not keep the dresser.

Lavinia crashed.

A border guard of the door is furious blows with their rifle butts.

He enters the door. Paul runs to the window, Lavinia screaming at him ...

We do not understand but Paul chooses in his panic to seek shelter in Lavinia, he runs over to her, clutching it, fear.

The door gives way.

More than ten border guards penetrate, aim your guns at the crying woman and the boy.

The escape attempt failed.

Our last look up here in the room drops to Lavinia and Paul. Lavinia Paul holds close to her, over her shoulder we see the frightened children view.

section.

in from outside the window.

approaching the black silhouette of a border guard and closes the window sash.

section.

We front of John and Catherine . They stop to look up to the window. Behind them, drives up the fire department, police car with a big head.

Catherine was still shocked rigid.

Hans empty black look is already there, where he will find his son

of nowhere.

He turns around and walks slowly through the people away from the spot. He disappears from view.

The camera goes into the bird's eye view over the heads of the people.

We hear the voice over the speaker.

The Kuhlkes waited -

.... even when it became clear that they do not see her son would.
.... As they led their lives on, they waited.


Like so many.

you twenty-eight years, two months and twenty-eight waited days.


Then the wall fell.

.... and when they met again, they were
alien.

- - -

2006-2007 Heino Ferch - Hans Kuhlke, Inka Friedrich - Katharina Kuhlke, Iris Berben - Lavinia Kellermann, Axel Prahl - Erwin Sawatzke,

Frederick Lau - Paul Kuhlke, Wilfried Hochholdinger - Horst Kling game (educators in the socialist spirit) , Markus Boysen - lawyer Dr. Hanno of Krampnitz

Buy Acne Mark Fading Peel In Canada

scenes I "Hans !-...'s the nich'mehr or what?"

in: The Wall Berlin '61. Part 3 2005-06

Teaser zum Film: Die Mauer-Berlin ´61

source image and all image rights teamWorx Film production company and WDR (West German Broadcasting)

Listening instead of reading - cinema for the ears Audio.mp3 (Speaker: Ignaz Wrobel)

<-<- zurück zu Teil 2 to Part 4 Final-> ->

Before the scene.

The couple, Hans and Catherine Kuhlke hopes that the furniture store owner Erwin Sawatzke stretched above them money for a lawyer.

The lawyer should try to Paul , the Son, herauszuschleusen to his parents in the West.

Erwin are Catherine behind Hans understood without a word back that he will hold out against the attorney fee payment in the form of sexual service. Catherine goes into it.

says After the consultation with attorney Hans them what happened. Hans governs the matter with his fist. The confidence to his wife but has taken havoc. And the lawyer had to destroy his hopes, Paul recover by legal means.

The couple takes in the neighborhood transit camp Marie Felde.

The conditions there are similar to conditions in an overcrowded hostel during the high season. The last corner of privacy must be abandoned there. Hans forfeit its power to act externally. He himself fully into herself.

The loss of his son, the loss of women, their necessarily reliable solidarity, pushes him in a personal solitude, the stifled any impulse to act.

the scene.

We see John and Catherine in a cramped metal bunk beds with room. It is evening. Hans is on the lower bunk. Catherine him to cover and leaves.

Outdoor she hears that the American Vice President Lyndon B. Johnson will visit Marie Felde.

next day, the women paint banners for the visit. On the banners they formulate their requests to the Vice Chancellor. Hans helps not.

He is only passively on his bed. Catherine can not persuade him to join.

gym.

We look Katharina over your shoulder and see her. She writes:

I want my child back.

suddenly she's angry. She jumps up and goes into the dormitory.

Hans is dressed on the bottom bunk of the bunk bed that buried his hands in his pockets, staring straight ahead without moving on the lower floor of the deck above him.

Katharina:

Jez 'listen' to time Hans!

you have given up!

I have not 'given up and I'll give up and not'.

No response.

no response.

Hans Catherine looks at not, he stares at a spot on the deck above him.

Katharina:

Your .. your mourning face. I can see no more! Jetz'komm `- steh'auf.

She grabs his elbow. Hans immediately turns away from her, lies down on the side, arms folded.

Catherine Hans, we must do something!

Hans quiet, monotone: solln What we do not tell me to do this sometimes.

Catherine Hans shakes his arm.
Hans will not contact his attention glued next to nothing.

Katharina versucht Hans zum Aufstehen zu bewegen

When she hindreht to, he has no sight more .. His eyes - two black holes with no light ..

Katharina very angry:

I have married you because I have admired you.

Because I was thinking 'that we manage life together.
manage better.

it shakes again and again by the arm.

Hans lowering his eyelids, hidden from the outside world, holding his hands tightly closed, dense and rigid in his body and lets the impulse of Catherine chdringen not to be major .

He seems to be a tough no-movement from the neck to indicate a let me .

Hans Kuhlke auf der Liege im Auffanglager

He turns back on its side, away from Catherine. Now he is
his gaze to a spot on the Wall, can not let go.
He hears nothing. Catherine's rantings over him.

Catherine :

almost here I'm drowning in this crap. An 'a guy that lying around in bed ..

Get up now, Hans, now get up!

No response.

Hans present stand up, come ...

Catherine grabs her husband's arm and dragged him off the couch.

jez'hier Out, Come on ...!

It pulls and pulls, just before he falls, he catches himself and goes into the vertical.

Stop it! Stop with out pushing it.

now looks in the hall. All rigid the two.

Finally he stands.

(...)

you shoved him.

man Hans! Where issn 'Hans, I know, there's the not anymore or what.

Every time he meets Catherine, he responded tough. He acts like someone who wants to be totally left alone, but can not escape.

So, as if to shake off the shock as an inconvenience. At the same time be as if he were accustomed to beat, to, without permission on a defense motion. He can come to without back pressure, and seeks only be delayed again in balance.

Close up Hans.

He stares back into space, to a spot on the couch.

His face, frozen grief on the cheeks, in view, the tightly closed mouth. In vain we look for that face to one from any small body that could assure us that there will, hope, thinking, thinking is.

There is nothing more.

No person.

No ego.

Only a shell around a nothingness. Hans is not here anymore.
The person John is zusammengeschnurrt, drawn together, melted and retreated to a place inaccessible from the outside.

Catherine noticed with great alarm.

you do not understand what happened, but the disappearance of a tangible I chase her anxiety, panic, they tried it again herbeizuzerren from there, where he is about to disappear ..

She cries and beats him.

That can be non!

anger and despair.

Because of you I can go back to nothing around my child!

beats her husband now that he is to blame for this nightmare here.

yes you need an explanation for everything, for her despair.
Nevertheless errors.

cardinal error.

He takes out the beats ..

His face is something that really should never show any one face of a man as long as the word of humanity still important.

between the eyes on the end now see the signs of pain, .. now ... ... one of the full measure of experience inhumane Mißhandeltwerdens old with acute mixed and experience ................

kills the man.

He falls.

- - -

<-<- zurück zu Teil 2

2005-2006 Heino Ferch - Hans Kuhlke, Inka Friedrich - Catherine Kuhlke.

- -

Our meager words give only a vague, sketchy impression of the excellent display performance in this scene. The best way to see the scene even more time. - How
unconsciously increasing,
said incompetent suffering the consciousness of the man more and more limits to his will, he collapses, is just breathtaking in my opinion by Heino Ferch, shown impressive. Fantastic and the rapid divergence of Catherine's escalating anger and helpless Hans' counter-movement in the implosion.