in: The Wall Berlin '61. Part 3 2005-06
source image and all image rights teamWorx Film production company and WDR (West German Broadcasting)
Listening instead of reading - cinema for the ears Audio.mp3 (Speaker: Ignaz Wrobel)
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Before the scene.
The couple, Hans and Catherine Kuhlke hopes that the furniture store owner Erwin Sawatzke stretched above them money for a lawyer.
The lawyer should try to Paul , the Son, herauszuschleusen to his parents in the West.
Erwin are Catherine behind Hans understood without a word back that he will hold out against the attorney fee payment in the form of sexual service. Catherine goes into it.
says After the consultation with attorney Hans them what happened. Hans governs the matter with his fist. The confidence to his wife but has taken havoc. And the lawyer had to destroy his hopes, Paul recover by legal means.
The couple takes in the neighborhood transit camp Marie Felde.
The conditions there are similar to conditions in an overcrowded hostel during the high season. The last corner of privacy must be abandoned there. Hans forfeit its power to act externally. He himself fully into herself.
The loss of his son, the loss of women, their necessarily reliable solidarity, pushes him in a personal solitude, the stifled any impulse to act.
the scene.
We see John and Catherine in a cramped metal bunk beds with room. It is evening. Hans is on the lower bunk. Catherine him to cover and leaves.
Outdoor she hears that the American Vice President Lyndon B. Johnson will visit Marie Felde.
next day, the women paint banners for the visit. On the banners they formulate their requests to the Vice Chancellor. Hans helps not.
He is only passively on his bed. Catherine can not persuade him to join.
gym.
We look Katharina over your shoulder and see her. She writes:
I want my child back.
suddenly she's angry. She jumps up and goes into the dormitory.
Hans is dressed on the bottom bunk of the bunk bed that buried his hands in his pockets, staring straight ahead without moving on the lower floor of the deck above him.
Katharina:
Jez 'listen' to time Hans!
you have given up!
I have not 'given up and I'll give up and not'.
No response.
no response.
Hans Catherine looks at not, he stares at a spot on the deck above him.
Katharina:
Your .. your mourning face. I can see no more! Jetz'komm `- steh'auf.
She grabs his elbow. Hans immediately turns away from her, lies down on the side, arms folded.
Catherine Hans, we must do something!
Hans quiet, monotone: solln What we do not tell me to do this sometimes.
Catherine Hans shakes his arm.
Hans will not contact his attention glued next to nothing.
When she hindreht to, he has no sight more .. His eyes - two black holes with no light ..
Katharina very angry:
I have married you because I have admired you.
Because I was thinking 'that we manage life together.
manage better.
it shakes again and again by the arm.
Hans lowering his eyelids, hidden from the outside world, holding his hands tightly closed, dense and rigid in his body and lets the impulse of Catherine chdringen not to be major .
He seems to be a tough no-movement from the neck to indicate a let me .
He turns back on its side, away from Catherine. Now he is
his gaze to a spot on the Wall, can not let go.
He hears nothing. Catherine's rantings over him.
Catherine :
almost here I'm drowning in this crap. An 'a guy that lying around in bed ..
Get up now, Hans, now get up!
No response.
Hans present stand up, come ...
Catherine grabs her husband's arm and dragged him off the couch.
jez'hier Out, Come on ...!
It pulls and pulls, just before he falls, he catches himself and goes into the vertical.
Stop it! Stop with out pushing it.
now looks in the hall. All rigid the two.
Finally he stands.
(...)
you shoved him.
man Hans! Where issn 'Hans, I know, there's the not anymore or what.
Every time he meets Catherine, he responded tough. He acts like someone who wants to be totally left alone, but can not escape.
So, as if to shake off the shock as an inconvenience. At the same time be as if he were accustomed to beat, to, without permission on a defense motion. He can come to without back pressure, and seeks only be delayed again in balance.
Close up Hans.
He stares back into space, to a spot on the couch.
His face, frozen grief on the cheeks, in view, the tightly closed mouth. In vain we look for that face to one from any small body that could assure us that there will, hope, thinking, thinking is.
There is nothing more.
No person.
No ego.
Only a shell around a nothingness. Hans is not here anymore.
The person John is zusammengeschnurrt, drawn together, melted and retreated to a place inaccessible from the outside.
Catherine noticed with great alarm.
you do not understand what happened, but the disappearance of a tangible I chase her anxiety, panic, they tried it again herbeizuzerren from there, where he is about to disappear ..
She cries and beats him.
That can be non!
anger and despair.
Because of you I can go back to nothing around my child!
beats her husband now that he is to blame for this nightmare here.
yes you need an explanation for everything, for her despair.
Nevertheless errors.
cardinal error.
He takes out the beats ..
His face is something that really should never show any one face of a man as long as the word of humanity still important.
between the eyes on the end now see the signs of pain, .. now ... ... one of the full measure of experience inhumane Mißhandeltwerdens old with acute mixed and experience ................
kills the man.
He falls.
- - -
2005-2006 Heino Ferch - Hans Kuhlke, Inka Friedrich - Catherine Kuhlke.
- -
Our meager words give only a vague, sketchy impression of the excellent display performance in this scene. The best way to see the scene even more time. - How
unconsciously increasing, said incompetent suffering the consciousness of the man more and more limits to his will, he collapses, is just breathtaking in my opinion by Heino Ferch, shown impressive. Fantastic and the rapid divergence of Catherine's escalating anger and helpless Hans' counter-movement in the implosion.
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