Wednesday, April 11, 2007

How To Build Supercritical Extractor

scenes I ... night. Heavy breaths. A thud ...

in: Saturdays, when there is war. Wolf Portrait - Heino Ferch 1993-94

Teaser Film: Samstags, wenn Krieg ist. 1993-94

... night. Heavy breaths. A thud ... in: Saturdays, when is war. Small Wolf Portrait Main Heino Ferch. Director: Roland Suso Richter. Based on a novel by Klaus-Peter Wolf. 1993-94

to Part 2A-> ->

the scene.
destruction.

night. Heavy breaths. A thud, - as on stone.

Cracked camera pan to a Star of David. It is made of basalt, a relief on a grave stone. The striker has blasted off a corner.
respiratory shock - shock.
Cracked pan alternate between a face and the star. After each swing, another corner is chipped of the relief.

The face belongs to a young man, down to the scalp hair shaved off, distorted face. He takes a baseball bat with a heavy stone on the grave.

Background music:

A man's voice singing a Russian Orthodox hymn. Hall.

A second face, hair shorn, dangling Gothikohrring. The second looks on. Still.

section.

wall. Cemetery wall from the outside. We look down from above . A young man runs brought up against the wall, seems to want to enter.

section.

wall from the inside.

Close up face and arm of the second man. The stretched arm holding a spray can, we hear the hiss of spray. He sprayed with red paint words on the wall.

section. Wall outside.

A tear swing follows the boy. His movements are uncoordinated, he slides back against the wall along, childlike searching gaze.
The boy is obviously mentally disabled. It's Yogi, the younger brother of Siggi, the sprayer.
shot over Yogi, Yogi runs, face raised, anxious look. He apparently heard the shots on the wall inside.

section.

Very close to the angry face of the grave stone zähnegefletschte bat.

A torch passes over a second grave stone - we see a Hebrew inscription.

The racket from the beginning. He takes front of us, and strikes, just past us on the star.

angrily contemptuous grimace of the man. The stone falls. The bat is breathing down his adrenaline rush. He is pale, hollow eyes, aquiline nose, mouth brutal. The man is Wolf, the head of a skinhead band.

section. The boy has reached the cemetery gate and looks through the bars frightened, uncomprehending.

section.

more blows with a stone hammer the yard-long stick. We see the expansive movement with both arms, the impact of the heavy stone on the grave stone crusher hear. The destroyer carries a Third-Reich-military jacket, Nazi Order, Knight's Cross.

The bats get the ball on the ground to burst. He breaks through transversely.

Close up on the face of the racket. From zähnegefletschtem hatred contempt, lower lip is pushed forward, hate-distorted mouth, the lips full of saliva.

Fast cuts.

two feet in combat boots. The boy at the gate of a claw at the bars, is afraid.

section.

One skinhead accusing the other of the baseball club.

Personal Perspective examines restless on the ground back and forth, the first of the two bends down, manipulated, something close to the ground.

Now we see the beam of a liquid from a canister. The skinheads drench the place with gasoline.

cut on the bat, wolf.

A schattenhafterTyp, soulless, gray, breathes heavily from the effort, victory pose, happy, hate-distorted mouth, smooth face. Looking into the light, victorious pleased.

The others go on for him. The hand with the torch goes to the fuel on the ground.

with a puffing sound skips on fire, filling the entire field of view, we can only see blurry, flickering light.

The voice of the singer chant louder. The camera moves backwards.

A halo around flames.

The melancholic yearning voice that intones the great hymn, has become the main theme, the image of dancing flames illustrates the melancholy, the melancholy of the song.

More and more we see a shape in the fire roads:

The neo-fascists, the gasoline had been poured into swastika shape. A flaming cross with four catches covering the consecrated ground of the Jewish Cemetery of view Hausen.

between the damaged grave stones.

We hear priests and women's choir in singing antiphonaries change. look to steep from the top we defiled and destroyed rows of grave stones. The skinheads stand around, look at her work.

Close up on yogis eye. In his pupil reflects the flames of the burning cemetery. (Sa treasure of Troy. In the pupil of the child reflected the flames of burning Troy.)

Close ups in the fascinating excited faces of the perpetrators.

The leader, Wolf, has placed a black sunglasses, impassive face, he stares into the flames.

Yogi are sounds, no words can express his feelings he has in babbling to sound sequences. Siggi, his brother goes out to him.

- - -

to Part 2A-> ->

1993-94 Heino Ferch (aged 30) - small wolf head, Mark Knüfken - Siggi Schmidt Müller, Felix Eitner - Yogi Schmidt Mueller.

novel by
Klaus-Peter Wolf on Saturdays, when war is. TB Droemersche Verlagsanstalt Th Knaur Nachf, Munich, 1994. ISBN 3-426-60390-X

- -

It should be noted that the role figure of skinhead Wolf small Main (Heino Ferch) fascist ideology and its impact not supported, but sharply criticized .
The role of the Wolf exemplifies the destructive neo-fascist of thought, that is, Wolf shows us in his actions, that hatred and violence lead to the demise .

FIG Wolf also shows us the same time which circumstances - can in a young man caused such ideas - poverty, unemployment , intrafamilial oppressive circumstances.

(see the role of Lieutenant Colonel Rauf, the expanding in many styles and motives for action, the role Wolf. )

0 comments:

Post a Comment