globetrotter in CinemaxX Oldenburg
IT MIGHT GET LOUD
Since the development of the electric guitar to the masses instrument by Leo 1950, Fender changed the pop music, in constant manner. It's all in electronic amplification is not only the volume. With the electric guitar a lot of opportunities have arisen to work with distortion, feedback, effects. Director Davis Guggenheim does for this film together three rock guitar players, from three generations, with three very different styles. The talk about her career as well as their influences and love of the guitar - which thank God, far beyond the right at the beginning from the mouth of Jimmy Page falling cliché goes, the guitar is like a woman and had to be petted. Over the three musicians Guggenheim also talked about the possibilities of the guitar and the different eras, generations, styles playing with her.
From Jimmy Page there is a short clip, such as perhaps the age of 12 he appears with his skiffle band on TV, pure one-chord Geschrammel. Recordings as a session musician and as a member Yardbirds then show his diversity, he eventually develops as Led Zeppelin guitarist one of the greatest ever. Page invites you to Headley Grange, where the phenomenal fourth album was recorded, playing for the camera to the acoustic Led Zep classic, and in between the film provides footage (known from the Led Zeppelin DVD) that the whole size of the band and shows the virtuosity of Page.
The Edge is representative of a very different school, the 15-minute guitar solos rampant opposition. U2: The orchestral sounds are generated from chords that are driven by the effects apparatus. The Edge plays even a simple sequence of sounds, and then shows what he can do what comes at the end of the amplifiers - it is no longer recognizable. It also leads to the early days of U2, from the school where they started a music cassette with a very early, just recorded demo track to the live video of a stadium show.
Jack White is back with an eclectic ale constant reference to the Delta blues roots of the 20s and 30s. Also in gives these sequences are of course live concert recordings from the White Stripes and the Raconteurs, but above all is White back quite far, to an acoustic blues of Son House, who proposes to singing only a single bar, ready, to punk, to grunge but always to the very old recordings from his record collection ...
Three musicians, three styles and varieties, and everything culminates in jam sessions with the camera, in which several songs with three guitars of three brilliant musicians to play. Where in the chords of "The Weight" stands out Jimmy Page with a loosely dahingezupften arpeggio. He's just still the greatest of the great.
One demonstration in Oldenburg on Monday 9 November at 20:15 clock - only in your CinemaxX! THE TICKET IS!
early because its worth by the way: Prior to the demonstration (from about 19:30 clock) shows the Oldenburg GREEN UNIENES their skills at our bar!
The winners of free tickets for the event are:
- Malory Ness Mountain
- Werner Schieleit
- Christian Pott
The cards can now be picked up at our box office on production of identity card.
Have fun!
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